Becoming a master of the guitar is both easier and harder than most people think it is. 

While that might sound like an absurd statement at first glance, a deeper look will make it seem fairly obvious.  The extra difficulty lies in the necessity for absolute commitment and determination while the “easiness” refers to how your practice over the years stacks up in ways that you can’t understand until you’ve experienced it. 

From the beginner or intermediate standpoint, becoming a master seems like an impossible goal.  As I’ve said on a few occasions, this is because it would take many lifetimes to achieve mastery if your progress continued at the same rate as it does when you first start out.  However, since we know there are masters of the guitar, we can easily deduce that the rate of progress actually increases exponentially over time.  

Because of this, the necessity of practice really isn’t something that needs to be driven home as much as it is.  It’s critical to know how to practice correctly and optimally but, if you’re doing things right, your motivation to practice every day will be unwavering.  

In this case “doing things right” refers specifically to what we can call the “Master Mentality.”  This is the most important aspect of mastering the guitar as, without it, you’ll simply never get there.  

The Master Mentality is typically what people perceive as being “talent” or “a gift.”  It’s the unseen variable in an equation that few people know much about.  If you are unaware of its role, it’s easy to see people who have it as somehow tapping into unearthly forces that give them superhuman abilities.  In reality, unearthly forces and superhuman abilities aren’t required at all.  It all comes down to a few simple shifts in how you think about the guitar and your goals.

Let’s take a look at some differences between how an average guitarist thinks and how a master-to-be thinks:

1.

When an average guitarist sees a master performing an amazing technique or piece of music, they have a tendency to say or think things like “well, I might as well throw my guitar in the trash.”  There’s this idea that emerges that they’ve just been wasting their time all along as they clearly don’t have whatever the “inherent ability” is that the master has.  You can imagine how far that guitarist will go to achieve something that they firmly believe they can not achieve…

When the master-to-be sees a master performing the same technique or piece of music, their thought process is critically different.  For one, any doubt that they could achieve the same thing is immediately stricken from their mind (and this occurs automatically because they’ve practiced and made a habit out of thinking this way).  They know that there is literally nothing that someone else can play on the guitar that they don’t have the potential to learn and master themselves. 

2. 

Here’s a statement that’s so intuitive and obvious that actually stating it feels redundant: the average guitarist struggles with motivation to practice.  The average guitarist either only has a vague idea of why they want to play the guitar or has a very lame reason (motive) behind it and therefore struggles with motivation.  Lastly, the average guitarist thinks in terms of practice.

The master-to-be doesn’t have to worry too much about motivation because they are constantly excited to practice the guitar.  The key word there is “excited.”  Not only does the master-to-be have a much clearer idea of why they want to get better at the guitar, they also have a reason that gives them genuine enthusiasm and excitement.  Instead of thinking in terms of practice, the master-to-be thinks in terms of where the practice will take them.  

Well, that’s it! 

Anyone can cultivate the Master Mentality at any time.  It doesn’t matter whether it’s your first day learning the guitar or you’ve been playing for 30 years.

If you struggle with doubts about your potential and/or motivation to practice, it’s a simple matter of building new habits of thinking.  Any time you catch yourself having a self-defeating thought in terms of your potential on the guitar, throw it away and replace it with something constructive and encouraging.  I would argue that you are simply learning to see things more realistically when you do this by cutting insecurities out of the picture – as insecurities are the biggest liars there are. 

Contrary to popular belief, you are not your personality, you are not what you or other people think about you and you are not your perceived limitations.  All of those things are malleable.  The potential of the mind has no actual limitations other than the ones we impose on it or allow others to impose on it.  The illusion of limitations can be very compelling but it’s important to remember that it all comes down to habits of thinking. 

Any time you catch yourself feeling frustrated with the need to practice, pay attention to where your focus is.  Thinking about practice won’t get you very far.  Think instead about where that practice will lead you. 

Now this might sound a bit too “self-helpy” for your taste, but keep this in mind:  whether it has been articulated or not, these are the key differences between the average guitarist and a guitarist that will achieve master level. 

Build these habits and you will already be halfway to becoming a master.  The other half will happen almost automatically after that, over time.   

Dan Mumm

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If you focus your practice and playing on a specific style of music or a specific group of techniques, you have to be careful of getting stuck in a rut. 

Your goal may be to become a shred master but eventually you will find yourself tiring of practicing scale runs and alternate picking.  It might feel like something is missing and you can lose your drive to continue.  

The sheer amount of time required to master certain techniques practically guarantees that you will find yourself in a rut at some point or, worse still, even find yourself getting burned out. 

Ruts can easily lead to burnout and burnout of something your passionate about tends to lead to giving up on your goals.  If you’re serious about your goals as a guitarist then it’s critical to prevent this from happening.  

Basic causes of a guitar rut include: 

  • lack of progress
  • too little variety in what you are playing/learning
  • forcing yourself to practice things that are too difficult for too long
  • lack of enjoyment in what you are playing/practicing
  • lack of emotional release in what you are playing

To put it simply, in order to ensure you don’t fall into a rut, you need to regularly inject variety and things that are easy and fun to play in your regular playing. 

If all of your time on the guitar is practice time, you will eventually find yourself in a rut.  

One of my favorite methods to spice things up and ensure I am having fun on the guitar is to experiment with other genres and techniques found in other genres.  I love to try blending elements of genres together.  This seems to open up interesting and more complex avenues of expression and it’s a great way to keep the guitar and your love of playing music fresh. 

Guitar styles like Shred Metal and Neo-Classical have an incredible variety of techniques but they are surprisingly homogeneous when compared to techniques found in other genres.  This is most likely because those styles of music excel at very specific aesthetics and expression of a very specific set of feelings.  

Wildly different genres seem to focus on very different aesthetics and are effective at expressing very different feelings.  The techniques that emerge in different genres come about as an extension of the style.  You might be amazed at some of the different types of guitar techniques that are out there that you are unfamiliar with.  Some of them are a blast to play and some are surprisingly easy to learn. 

From the position of a Neo-Classical guitarist, it’s easy to think of Classical and Neo-Classical as being the main styles of music that focus on guitar virtuosity.  Obviously, this isn’t true. 

Two of my favorite styles to play around with are Bluegrass and Gypsy Jazz.  These styles are completely different than one another but both have a keen focus on creative and advanced guitar techniques that each have their own distinct flavor.  They are also incredibly fun and satisfying to play. 

The next time you’re feeling like you need a break from working on your shred and sweep techniques, try taking a week to learn some techniques from a completely different style.  Heck, they don’t even have to be advanced techniques.  Pick up some basic Country licks and just have fun with it.  You will be amazed at how it effects your interest in the guitar, your overall technical skill and your improvisation. 

Dan Mumm

Need something new to work on to spice up your practice?  Check out my massive catalog of guitar related products, covering everything from Metal versions of Classical pieces, Neo-Classical Shred technique, Sweep Picking, and more!  See what’s on sale today at the link below:

www.Sellfy.com/DanMumm